I have been busy the last few days getting my prints ready for my next upcoming exhibition.
The Exhibition entitled ‘Thanks Pandemic’ consists of 24 silver gelatin prints framed and matted.
All up the print finishing took about 12 hours. I don’t recollect how long the actual printing took, as it was done some time ago during several of the lockdowns that Victoria endured from 2020 to 2022.
These lockdowns were the catalyst for me to revisit my archive and print some images that I have always wanted to print. Now with time on my side and changes to materials I was able to produce a series of prints that reflect my skills and knowledge. Basically I like to make work with long tonal scales. This is made possible by using 2 filters under the enlarger, the 00 filter and the 5 filter, from Ilford’s filter pack. Using this technique enables finer control over shadows, midtones and highlights.
After the prints are made they undergo treatment for archival permanence using a 2 bath fixer system and using some dilute selenium toner. In this case it was 1:19 for 3 minutes in the selenium.
Then into my archival wash tub for one hour. My tub holds 10 prints so I had to undertake this process in 3 batches, 2 at 10 and one at 5 prints. They are then hung to dry in my darkroom.
Next I flatten the prints in a warm heat press.
Once they are all flat, I begin the final stages of preparation for matting.
This involves making paper corners, 100 in total, then attaching the prints to a backing board that is hinged to the matt. All made using paper archival tape.
Once the components are assembled the frame is reassembled and the protective corners replaced. Then they are stored ready for transport to the gallery.
This body of work is going to use a mixture of frame colours 9 silver 9 off-white and 6 black. How they are how together will be determined once the work is in the space.
Beijing Silvermine is an archive of 850 000 negatives salvaged over the last ten years from a recycling plant on the edge of Beijing. Assembled by the French collector and artist Thomas Sauvin, Beijing Silvermine offers a unique photographic portrait of the Chinese capital and the life of its inhabitants in the decade following the Cultural Revolution.
In what now feels like an eternity, but was only 11 years ago; I created a website called altfotonet.org. It was going to be a publication of photography from creatives/artists/ideologues/ratbags/visionaries. I published 3 issues along with Gary Sauer-Thompson. Somewhere along the line it all became too much for me and the idea lay idle, the web site remaining static. In the intervening 11 years the ground has shifted drastically. So much so that even after recently having revived the website I am unsure if I should continue publishing? I originally published 3 issues.
The site was meant to showcase work that fell outside the mainstream art world and was not commercial photography either. I’m not sure what possesed me to undertake such an endeavour? As Facebook was launched in 2004, and it must have taken a few years for it to reach critical mass here in Australia. Facebook has famously sucked the life out of many other online communities; flickr in particular. So I ploughed on regardless. The truth is I was very fortunate to have been donated some server space and the ideas driving the idea were all very egalitarian at the time. I was hoping to make something that was useful and new.
Now I have a new appreciation of what it takes to publish a magazine. I have also learned lots about photobook publishing. The world both in real life and online, is completely different now compared to 2009.
With all this in mind I have archived the old site and started a new one. Using a WordPress installation I will write at length about the ideas and concepts that drive my picture making and some of my underlying concerns. With occasional guest writers artist and photographers.