This view did not exist in 2019. I can’t remember the last time I drove along Dohertys road.
I am standing on a bridge built for cyclists that forms part of the federation trail. I’m not quite certain when it was completed. Google maps most recent picture of this part of Dohertys road is from 2019. The new bridge forms part of the larger infrastructure works going on around the Westgate. The works are affecting the peripheral and arterial roads that run off it. This trail will allow cyclists to ride from Werribee to the city. It crosses Dohertys’ road a dual carriageway arterial road.
As I had not had a chance to really explore this part of Melbourne since we had spent so much time in lockdown last year. I decided to investigate several areas nearby that I know would have altered radically.
Dohertys road used to be a single lane arterial road. Given the real estate in this part of Laverton there would have been many many large trucks using this road. It is now a dual lane road which no doubt means the numbers will increase. Melbourne’s cyclists can now cross this road safely using this bridge.
The weather on the day I was there proved to be almost perfect for photography. Unusual for Melbourne in January. I suspect this will be a regular location now.
This approach to finding locations underpins my work. Not being able to wander and just follow my nose while we were in lockdown was stifling to say the least. At least it means there will be plenty more surprises waiting for me; all within a 10 minute drive from my house.
This interactive piece on the New York Times website is a marvellous example of how the web can be harnessed for educational good.
Click on the image below; to view.
The woodblock print referred to by the New York Times is by Katsushika Hokusai: “Ejiri in Suruga Province.” It is the 10th image in his renowned cycle “Thirty-Six Views of Mount Fuji.” It examines the print in detail and draws some conclusions about its impact on Western Art, even referring back to Jeff Wall’s iteration.