Narrative ideas

Television and I have a long complicated relationship.

We were only able to afford black and white televisons as I grew up. By the time I had moved out I still couldn’t justify the cost of a new colour TV so bought second hand ones for many years. By the time I was in a ‘commited relationship’ we aquired a discarded colour TV. Eventually at some point after, we bought a small colour TV.

In the interim however, for many years I was either too busy or studying to really engage in any serious TV watching. Often it was the late night rock and roll video show called Rage on the ABC that garnered the most attention from me.

At some point while studying my undergraduate degree, I decide to record some programming then take into the Video editing suites to take stills from it. Late one night I stumbled upon a film starring Tom Waits, called Big Time as well. It was a TV adaption of a live performance based on the album of the same name. Those pictures have been in my archive relativley unseen. Now that I have a scanner I can share them with the world.

Here’s a screengrab of them loosely organised in Neofinder. At some point I will sequence them and either publish them as a Zine or just make a gallery online.

screengrab of the TV stills I made in the late 1990s using film a tripod and a video editing suite
screengrab of the TV stills I made in the late 1990s using film a tripod and a video editing suite

Now of course screens dominate my life. I often sit watching the things that interest me on free to air TV, while using at least 1 or 2 devices to do other things while the ads are on.

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Why Flickr?

North Geelong, Victoria, Australia 2022-10-26 14:12:21
North Geelong, Victoria, Australia 2022-10-26 14:12:21

Back in 2004 when I first signed up for a free flickr account I had no idea what I was doing with the service. I did know that the volume of digital files I was creating with both cameras and smartphones needed to be seen and shared. Flickr’s initial offering allowed users to create sets as they were called then and also join groups. Groups could have an obvious common theme or be rearlly obscure. JG Ballard is an obscure group, whereas Paths we walk is more obvious. These seemed to be a great way to share my work.

Deer Park, Melbourne, Victoria, Australia. 2022-12-12 13:03:49
Deer Park, Melbourne, Victoria, Australia. 2022-12-12 13:03:49

Outside of these ideas albums allows me to interconnect images. Historically an exhibition has an overarching idea, the work on the walls expressses this.  The viewer can choose to walk through the space and engage anyway they see fit.

North Melbourne, Melbourne, Victoria, Australia. 202-10-25 16:26:42
North Melbourne, Melbourne, Victoria, Australia. 2022-10-25 16:26:42

Albums on a site like flickr are a far more web like experience, non linear and open-ended. Each picture I post can have multiple ideas runnng though it. I achieve this by putting images in mutiple albums from a simple time based one, for the year the image was made for example, to other ideas that constantly run though my work. Some of those ideas have their roots in the Situationists and their ideas about the derive. Others explore the added metadata that can add a layer of context or meaning to an image.

Pascoe Vale, Melbourne, Victoria, Australia. 2022-12-12 16:25:53
Pascoe Vale, Melbourne, Victoria, Australia. 2022-12-12 16:25:53

Lastly, each image I choose to upload needs to speak to the preceding image in some way. This forms an angoing process that has me dipping into my archive regularly. The connections may be obvious, subject matter or location for example, or subtle like line, shape or composition. I treat my feed as a permanent 24/7/365 gallery. Available for all the world to see.

Deep down this does not really answer why I photograph the places I do, or even what drives me to pick up a camera. Perhaps that idea is for another day?

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Richard Misrach’s Borderlands

Three early influencers on my creative endeavours are, Richard Misrach, Robert Adams, and Frederick Sommer.

Misrach’s work still evokes amazing beauty while challenging ideas about our own humanity and politics. Richard Misrach’s books and Robert Adams books, are well represented in my library.


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New Photobook Idea

I have begun working on a new photobook idea. It is nothing novel. Just pictures of the 14 or so public phones that are situated throughout Sunshine. This screen grab from Lightroom showing 11 that I have already photographed.

The idea has sprung from a larger project I am working on about Sunshine, the place I live. I have repeatedly returned to several places around the suburb. At one point I noticed the phone box on the corner of Station Place and Sun Crescent which I photographed. I then found a website that lists all the public phones in Sunshine, and in one afternoon photographed 11 of them.

My research has turned up some interesting information. I will add some of this to the final book. At this point I’m unclear if I will use film or digital to make the pictures for the final book.

Map of Phone boxes Sunshine
Map of Phone boxes Sunshine

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Learning in the time of the pandemic

 

cover of photoshelter's 22 projects guide
cover of photoshelter’s 22 projects guide

This morning in my in-box was an email from Photoshelter. It had a link to a projects at home idea document, within that document a link to John Baldessari’s tasks he set for his own students. I am really like Baldessari’s you can download it from SFMOMA’s site the Photoshelter one was good too, access it here.

Here’s a quick a taster of Baldessari’s:-

“Using photography, prove a point as in a science fair diorama, display, tableau, such as: ‘How quickly does bread mold under certain conditions?’, ‘Is plant growth hampered by use of conditioned water?’, ‘What is the effect of colored lights on plants?’” He goes on to suggest a few more ideas, but you get the picture: use your camera to conduct a “scientific” inquiry into something that makes you curious.

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Creativity in the time of a Pandemic?

Bore Beach San Remo, Victoria, 2020-03-29 14:00:03

I made the picture above on the Sunday before stage 2 restrictions were brought into effect. We had taken a Sunday drive to explore real estate.

Autumn in Melbourne is usually a prolific time for me. The light is beginning to change for the better. I have a two week break from my job, and with a reliable steady income it is easy to be spontaneous and often drive somewhere for the sake of it.

Not so this year.

Despite this lack of movement on my part there have been many, many, emails from all kinds of cultural organisations with ideas for keeping creatively busy. There has been funding support and peer support across every level of the industry. Of course this could only happen because of the internet. This is a wonderful thing. I have submitted a project to HAFNY’s online callout “walking” as a consequence.  Not to mention  the Ballarat International Foto Biennale is partnering with FORMAT International Photography Festival and Gallery of Photography Ireland to create a visual record of the COVID-19 crisis on Instagram. [Use the tags, #massisolation and #massisolationAUS].

Still; I hanker to go outside follow my intuition while driving with a car load of equipment or walking with some equipment.

I guess I will hibernate in my darkroom.

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