In 1966, Ed Ruscha photographed ‘Every building on the Sunset Strip‘ in Los Angeles. It became a book and the original is highly sought after. I have seen the copy the NGV has in its collection. Such a simple and elegant idea. The book is one long accordion type book. It is small but intriguing. I have attempted my own version of the idea twice now. Once in Yarraville with a small stretch of houses that have since been demolished, for the Regional Rail Link. The ‘album’ is on flickr it is entitled Buckley Street Seddon. It took approximately 40 minutes to make those pictures.
I did the same recently, only this time I walked along Wright Street, Sunshine, from Stanford Street to Hampshire Road.
I started at the Stanford street and walked West, the numbers on that side of the street are even numbers. I excluded the corner houses. The photography component took all of 20 minutes.
There was one empty block primed and ready for redevelopment. And two other blocks with for sale signs on them. Big changes are indeed afoot. What form shape or size they will take remains to be seen I guess?
This view has gone. More residential and office space has filled the small green space left in this obscure pocket of Melbourne. I made this picture in June 2013. The World Trade Centre building is gone as well. The famous statue, Bunjil is slated to be moved from Wurundjeri Way to an as yet decided location.
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Congratulations to the successful applicants, some of who I know in person; and a couple I have even worked with.
The shortlist is:-
Klari Agar, Belinda Allen, Sam Amar, Riste Andrievski, Emma Armstrong-Porter, Zoe Arnott, Robert Ashton, Narelle Autio, Reza Bagheri, Kate Baker, Charlie Barker, Chris Barry, Chris Bekos, Madeline Bishop, Tom Blachford, Paul Blackmore, Chris Bond and Drew Pettifer, Jesse Boyd-Reid, Jane Brown, Karen Burgess, Jane Burton, Danica Chappell, Ali Choudhry, Peta Clancy, Michael Cook, Nici Cumpston, Matteo Dal Vera and Michael Weatherill, Tamara Dean, Karla Dickens, Stephen Dupont, Louise Faulkner, Jacqueline Felstead, Anne Ferran, Ash Garwood, Amos Gebhardt, Tom Goldner, John Gollings, Philip Gostelow, Helen Grace, Lee Grant, Janina Green, Helen Grogan, Ponch Hawkes, Leila Jeffreys, Shea Kirk, Shivanjani Lal, Kelvin Lau, Honey Long and Prue Stent, Fiona MacDonald, Alister McKeich, Izabela Pluta, Greg Semu, Damien Shen, Slippage, Valerie Sparks, Cyrus Tang, Christian Thompson, Louise Whelan, Amanda Williams, Anne Zahalka
Stephen Shore’s new book is being marketed heavily.
Here Mack books UK have published a long interview with the photographer.
I’ve always enjoyed the way he talks about picture making and cameras, this is no exception.
When I first started using digital cameras I was fortunate to have been given a then high end amateur type camera. Even at $2000.00 or so dollars it was far too “automatic” for my liking. As a consequence I enjoyed trying to subvert these controls and make pictures that hinted at a photograph but could have been anything at all.
This is one example of my success in achieving this. I made this picture at home on the 15th of August 2000. Twenty years ago today.
I am involved in yet another online exhibition. This time with the Friends of Photography Group. This is their 3rd exhibition asking ‘members’ to submit an image made or printed during the Covid restrictions. I submitted a print I made on Ilford Multigrade Fibre Based paper, scanned. I made 2 versions and toned one in sepia and the other in selenium, this is the sepia version.
Here is my ‘statement’ for the image.
Back in 1989, I listened to one of my lecturers talk about his relationship to the landscape and in particular She Oak trees. That notion has stayed with me ever since. This print is a result of this exchange. I continue to photograph these trees as I encounter them. Given that many councils are regenerating their open spaces the significance of these trees is important.
This Yale website has archived an exhibition about printing.
From the site. https://printedpicture.artgallery.yale.edu/
This site explores an exhibition on the history of the printing of pictures held at The Museum of Modern Art, New York, in 2008-09. This exhibition and the book that it accompanied traced the dominant technologies used for printing pictures throughout the modern era. Richard Benson, who wrote the book and co-curated the exhibition, was videotaped for approximately eight hours in the Museum galleries. This site gives access to that entire talk with additional images and details, allowing visitors to the site to draw their own path through its contents.