In my never ending pursuit to escape the clutches of Adobe’s leasing model, I’m always on the lookout for alternative software to manage organise and process my digital files. This last few months I have been working exclusively without any Adobe products. Lightroom was my go to tool until I resurrected Aperture by Apple on an old Desktop. Now I’m using 2 apps to do all the heavy lifting.
NeoFinder is the first. It is now my digital asset tool of choice. Finding and using this software has potentially saved me from buying a new desktop computer. The software is stable, fast and flexible. If it had an ability to “ingest files” and process them as raw then I’m set. As Neofinder does not, my workflow consists of using Apple’s Image Capture.app to ingest files, Neofinder to rate, sort and organise, and Affinity Photo to process the raw files.
Concurrently I had been mulling over how I made an earlier book using Blurb. ‘What’s the ugliest part of your body?’. When making it. I had decided to compromise on its layout and not crop the images resulting in a book that few people handled correctly as it was landscape orientation. As a consequence it had lots of wasted white space. I feel this didn’t add anything to the idea. This time I decided that I would print full bleed, and use pictures that were portrait in orientation. I also wanted to add some text to engage the reader. So after perusing my library and searching the internet I found of series of snippets of text and quotes that posed pointed questions about landscape, landscape art, and landscape photography. With these two ideas in mind I collated as many images as I could that were portrait in format, ie Not Landscape, the book’s title, printed out a set of them. Then started editing them into a book.
I have some copies of my ‘What’s the ugliest part of your body?’ left. These are $15.00 each, and after making them now consider it unlikely I will make a second edition.
I have one copy of my book Contact for sale as well.
As we reach the end of summer here in Australia, I’ve been exploiting the the effects of La Niña. With the Melbourne Art Book Fair approaching rapidly, I was hesitant to head out to make pictures but this Friday the weather was just right, so I exploited that and made pictures for a couple of hours.
I initially set out to make some pictures as teaching aids, but as I was on a bridge near the ring road, I decided to wander towards an aspect of the Maribrynong river that has always intrigued me.
I started under the EG Whitten bridge. A sad spot in so many ways. So much rubbish just dumped. I am unsure about the status of the land under the bridge as well. I know that the edges of rivers up to the high tide mark are considered crown land, but this land is well above that and also bordered by some private land. The western side of the river seems mostly private. This has been heavily impacted by trail bikes and other uses. This is the part I found most interesting. As the bike riders reshape the topography.
An early influence for me as a student of photography was Joe Deal’s work, The Fault Zone Portfolio, a group of 19 silver gelatin prints that documented suburban life along the San Andreas Fault Line in Southern California. This place reminds me of that except the forces at play are much more human in scale.
I only took digital equipment with me on this occasion. Given what I saw I’m sure a return visit is in order with at least my Hasselblad. It would be no mean feat to cary this equipment in, but more than worth it under the right lighting conditions.
Published by Mack books in 2022. As soon as I saw the flip though on the Mack Book website I knew I had to have the book. Once it arrived, and very quickly I might add, I barely put it down.
I bought the book because I could tell in the flip through that Shore was going to refer back to all kinds of art from many parts of history. Indeed there are some real gems cited in the book. From Frederick Sommer to Eugene Atget , Bob Dylan to William Blake, Lorraine to Turner. The list is as deep as it is wide, he refers to poetry, music, theatre, film, architecture. Reading it has been a humbling experience, his advice is thoughtful, thought provoking and practical.
This is my favourite excerpt from page 176:-
“During dinner I saw Ansel drink six tall glasses of straight vodka. Toward the end of the evening, he said to me, “I had a creative hot streak in the ‘40s and since then I’ve been potboiling” I don’t remember the context of this, but I do remember that he said it drily, like a photographer observing something.”
If you are a beginning student or an accomplished photographer this book will be a useful and welcoming addition to your library.
I particularly like the production values of the book. I feel it is entirely within keeping of Shore’s temperament. The book has weight and presence that is enjoyable, the pages easy to turn and the reproductions surprisingly good on the paper stock used.
In a video made in connection with A Pound of Pictures, his book from MACK and accompanying exhibition, Alec Soth talks about his process for working on the series. Soth explores “the different ways in which photographs live in the world,” as objects that reflect “the desire to memorialize life.” Soth also describes his approach to deciding what to photograph, by paying attention to what attracts him to certain scenes and subjects. Learn more: https://fraenkelgallery.com/exhibitions/alec-soth-a-pound-of-pictures
For the second year running the skies in Melbourne have been far more photographic and overcast than I remember in summer.
I really exploited this in the quiet period from when I started my holidays to the new year. Many construction sites are closed at this time of year. This makes it even easier to photograph these places. I have shot more than 3 rolls of 120 film and about 20 sheets of 5×4 film. The results at this point seem pleasing.
This year I didn’t borrow a digital DSLR from work so the only digital files I’m making are using my iPhone.
These are the images I’m adding to this post. I also used the quiet time to scout a few possible locations moving forward. I’m very interested in the infrastructure projects going on right now all around Melbourne. In particular I’m interested in the ones that are close to me ie the inner west.
These are going to change the fabric of these suburbs. For better or worse I don’t know. But change they will and I’m trying to capture as much as I can, while I can.