I was recently gifted a scanner. Thanks to Gary. This now means I can scan any or all of my analogue work on an as needs basis. All I need is time. This image has always stayed with me since I made it around 1992. It is one my earliest successes using 5×4 inch film. However it never moved beyond a contact print as the emulsion had been damaged in a couple of places.
Now using Affinity Photo, I am at least able to resurrect it and use it online. I may some day get a commercial scan and make a big print from it. In what context I’m not sure. I use Affinity Photo because it has a perpetual license and a few technical advantages over PotatoeShop.
As we reach the end of summer here in Australia, I’ve been exploiting the the effects of La Niña. With the Melbourne Art Book Fair approaching rapidly, I was hesitant to head out to make pictures but this Friday the weather was just right, so I exploited that and made pictures for a couple of hours.
I initially set out to make some pictures as teaching aids, but as I was on a bridge near the ring road, I decided to wander towards an aspect of the Maribrynong river that has always intrigued me.
I started under the EG Whitten bridge. A sad spot in so many ways. So much rubbish just dumped. I am unsure about the status of the land under the bridge as well. I know that the edges of rivers up to the high tide mark are considered crown land, but this land is well above that and also bordered by some private land. The western side of the river seems mostly private. This has been heavily impacted by trail bikes and other uses. This is the part I found most interesting. As the bike riders reshape the topography.
An early influence for me as a student of photography was Joe Deal’s work, The Fault Zone Portfolio, a group of 19 silver gelatin prints that documented suburban life along the San Andreas Fault Line in Southern California. This place reminds me of that except the forces at play are much more human in scale.
I only took digital equipment with me on this occasion. Given what I saw I’m sure a return visit is in order with at least my Hasselblad. It would be no mean feat to cary this equipment in, but more than worth it under the right lighting conditions.
For the second year running the skies in Melbourne have been far more photographic and overcast than I remember in summer.
I really exploited this in the quiet period from when I started my holidays to the new year. Many construction sites are closed at this time of year. This makes it even easier to photograph these places. I have shot more than 3 rolls of 120 film and about 20 sheets of 5×4 film. The results at this point seem pleasing.
This year I didn’t borrow a digital DSLR from work so the only digital files I’m making are using my iPhone.
These are the images I’m adding to this post. I also used the quiet time to scout a few possible locations moving forward. I’m very interested in the infrastructure projects going on right now all around Melbourne. In particular I’m interested in the ones that are close to me ie the inner west.
These are going to change the fabric of these suburbs. For better or worse I don’t know. But change they will and I’m trying to capture as much as I can, while I can.
Last weekend I walked from a small carpark west of the CBD to the Yarra river at Spencer Street. A distance of about 2.6 kilometres one way. All up 5.1 kms return.
Upon my return I noticed an electricity tower was partially dismantled. I returned 5 days later and it has been completely removed. This view of the western edge of the CBD now clearly visible from the edge of the Moonee Ponds Creek, only because of the removed tower. I have other pictures in my archive on digital and film from this location.