Glass

screenshot of the glass.photo website
my page on the website glass.photo

About a year ago, an app surfaced that was attempting to usurp Instagram. It was using a paid model from the get go making it one of the more reasonable options. I was lucky to grab an account. A year later things are still a bit quiet in there, but that’s not a bad thing really. Some other tweaks that were recently brought to my attention are that there is now a web interface. The other changes have been, the ability to simply “appreciate” a photo, a bit like a like on Facebook or Instagram. Lastly they now have a broad range of categories to add your photo to to help its get found.
So its going to be another 12 months for me on this platform as yet again Instagram changed how it presents itself.

There is another free service called pixelated.social, I of course have an account there as well [s2art]

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Moving Towards A Post Adobe World

In my never ending pursuit to escape the clutches of Adobe’s leasing model, I’m always on the lookout for alternative software to manage organise and process my digital files. This last few months I have been working exclusively without any Adobe products. Lightroom was my go to tool until I resurrected Aperture by Apple on an old Desktop. Now I’m using 2 apps to do all the heavy lifting.

Neofinder's interface, is like Adobe's Bridge, but creates a catalogue file or files,
Neofinder’s interface, is like Adobe’s Bridge, but creates a catalogue file or files,

NeoFinder is the first. It is now my digital asset tool of choice. Finding and using this software has potentially saved me from buying a new desktop computer. The software is stable, fast and flexible. If it had an ability to “ingest files” and process them as raw then I’m set.  As Neofinder does not, my workflow consists of using Apple’s Image Capture.app to ingest files, Neofinder to rate, sort and organise, and Affinity Photo to process the raw files.

Affinty Photo, is a powerfult digital editing tool with a similar feature set to Adobe's Photoshop with out the ongoing lease cost
Affinty Photo’s raw processor interface. It is a powerful digital editing tool with a similar feature set to Adobe’s Photoshop with out the ongoing lease costs.

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On the cusp

As we reach the end of summer here in Australia, I’ve been exploiting the  the effects of La Niña. With the Melbourne Art Book Fair approaching rapidly, I was hesitant to head out to make pictures but this Friday the weather was just right, so I exploited that and made pictures for a couple of hours.

google earth view of the are explored
google earth view of the are explored

I initially set out to make some pictures as teaching aids, but as I was on a bridge near the ring road, I decided to wander towards an aspect of the Maribrynong river that has always intrigued me.

I started under the EG Whitten bridge. A sad spot in so many ways. So much rubbish just dumped. I am unsure about the status of the land under the bridge as well. I know that the edges of rivers up to the high tide mark are considered crown land, but this land is well above that and also bordered by some private land. The western side of the river seems mostly private. This has been heavily impacted by trail bikes and other uses. This is the part I found most interesting. As the bike riders reshape the topography.

An early influence for me as a student of photography was Joe Deal’s work, The Fault Zone Portfolio, a group of 19 silver gelatin prints that documented suburban life along the San Andreas Fault Line in Southern California. This place reminds me of that except the forces at play are much more human in scale.

I only took digital equipment with me on this occasion. Given what I saw I’m sure a return visit is in order with at least my Hasselblad. It would be no mean feat to cary this equipment in, but more than worth it under the right lighting conditions.

Maribrynong River from the EJ Whitten Bridge
Maribrynong River from the EJ Whitten Bridge in 2019
Rubbish, and sticker art under the EJ Whitten Bridge
Rubbish, and sticker art under the EJ Whitten Bridge
Dirt Bike tracks litter the area
Dirt Bike tracks litter the area
Landfill to the left and natural landscape to the right
Landfill to the left and natural landscape to the right

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The Changing Face of Melbourne

Last weekend I walked from a small carpark west of the CBD to the Yarra river at Spencer Street. A distance of about 2.6 kilometres one way. All up 5.1 kms return.

Upon my return I noticed an electricity tower was partially dismantled. I returned 5 days later and it has been completely removed. This view of the western edge of the CBD now clearly visible from the edge of the Moonee Ponds Creek, only because of the removed tower. I have other pictures in my archive on digital and film from this location.

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Photography, in Summer, in Melbourne Australia.

Western Edge of Melbourne's CBD, on an overcast Saturday morning.
Truck Parking Bay on the western fringes of the CBD, 2021-01-30 @ 10:38:20 on an overcast Saturday morning.
Photography  often takes a back seat in January for me. Summer photography has been prolific this year for me though.
The weather continues to be overcast in the mornings. This is somewhat unusual here in Melbourne, in January. I decided to get out and exploit this on Saturday. I went looking for spots to make pictures in and around the infrastructure projects going on. Close to home.
 
This truck holding bay is a favourite of mine due to its location and topography. You can see the CBD easily and in the right conditions make some good pictures of Melbourne.
 
The blue screens on the Citylink off ramp are the only clue that construction is underway. All the action is behind me here.  I wandered west with my ‘Blad and made a few pictures of some of the works going on. As I have yet to process this film it remains to be seen if I was successful.
 
At least I have some record of the changes that are occurring. This forms a major motivation behind what I am focusing on these days.

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