Back in the Darkroom

seven prints at 8x10 inches that Ian Lobb saw that prompted me to enlarge and exhibit all are a mixture or the natural and man made with neither dominating.
Seven  8 x 10 ‘work prints’ pinned to my darkroom wall.

Another cause for recent reflection was an encounter I had with Ian Lobb a few years ago. I asked him to look at some of my silver gelatin prints, which he did, over coffee in Fairfield.

choice of paper for this body of work in not yet final here are some of my options in my darkroom
Choice of paper for this body of work is not yet final here are some of my options in my darkroom. Forte Fibre based on top of Ilford Multigrade Fibre based paper.

He appeared enamoured by one body of work that I have been sitting on since about 2006, as it only consists of 6 or 7 prints.

The body of work was a response to Robert Adams’ book, Summer Nights. The first edition of this book has 38 images in it.  The date of the first edition is 1985. This means I may have been exposed to it whilst studying my undergraduate degree. Ian Lobb would have definitely been aware of it. He knew what I was talking about when I discussed my motivations for printing them. I acquired my copy  of the book in 2003.

I had no specific idea in mind while making the pictures however. I simply went for a walk one morning in a quiet country hamlet 3 hours north of Melbourne, and shot a whole roll of 120 film in that short time.

the contact sheet that I am making up to 9 prints from
the contact sheet that I am making up to 9 prints from

Because of Ian’s response I have decided to print the images to exhibition stage. I have work prints from about 2017 that are 8×10 inches. But in this instance I feel a larger size will really make them shine so I am beginning the process of making the final prints. Paper brand and final size is yet to be determined. I have started with Ilford Multigrade Fibre based paper at 12 x 16 inches.

Re-examing the contact sheet this morning I feel I may be able to push the series out to 8 or 9 prints. This is unheard of for me. I consider one good picture per 3 or 4 contact sheets adequate.

The first print in the rinse tray.
The first print in the rinse tray.

I want to finish with a quote from another of my favourite photographers, Frederick Sommer, that goes some way towards  my reasoning behind making these prints:-

“… When you go out to make a picture you find you are moved by something which is in agreement with an image you already held within yourself.”
– Frederick Sommer


About the author.
Stuart Murdoch is an Artist and Part time Photo Educator, with over 30 years of teaching experience. He contemplates many things photographic. His ruminations include his own work as well other’s and the aspects of technology that impact on the sharing and consumption of Photographs. And of course the act of making and taking photographs in the 21st century.

☛ Website | Flickr | Instagram | Photography links | s2z digital garden | Tumblr

Author: s2

artist, picture maker, photobook creator

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