Wordless Wednesday 20240724

Contemporary art meets classical architecture in modern Paris, at the Palais-Royal. Courtyard of Honor, with installation of columns by Daniel Buren. The foreground has small black and white striped coloumns spaced out intermittently, mirrored by the building behind, the former French royal palace located on Rue Saint-Honoré in the 1st arrondissement of Paris.
Contemporary art meets classical architecture in modern Paris, at the Palais-Royal. Courtyard of Honor, with installation of columns by Daniel Buren.

 

About the author.

Stuart Murdoch is an Artist and Part time Photo Educator, with over 30 years of teaching experience. He has also nearly 40 years of silver gelatin printing under his belt. He contemplates many things photographic. His ruminations include his own work as well other’s and the aspects of technology that impact on the sharing and consumption of Photographs. And of course the act of making and taking photographs in the 21st century. Photobooks sit quite high on his radar too these days.
☛ Website | Flickr | Instagram | Photography links | s2z digital garden | Tumblr | leave a tip, or buy a print

Thirty Plus Years Ago

A dark industrail scene from Melbourne's west in the early 1990s, in the foreground a pit of dark water, electric poles occupy the middle ground along with some fences sheds and other infrastructure container and a giant electricity transmission pylon can be seen in the distance, the sky has a smattering of small clouds
West Melbourne circa 1992

I was recently gifted a scanner. Thanks to Gary. This now means I can scan any or all of my analogue work on an as needs basis. All I need is time. This image has always stayed with me since I made it around 1992. It is one my earliest successes using 5×4 inch film. However it never moved beyond a contact print as the emulsion had been damaged  in a couple of places.

Now using Affinity Photo, I am at least able to resurrect it and use it online. I may some day get a commercial scan and make a big print from it.  In what context I’m not sure. I use Affinity Photo because it has a perpetual license and a few technical advantages over PotatoeShop.

I have been photographing this area for a long time and the changes are significant. I will continue to do so for the foreseeable future. Even after the major infrastructure project is over the mix of light industry along with the decaying  heavy industry and modern  architectural flourishes makes this in my mind an interesting place to photograph.


About the author.
Stuart Murdoch is an Artist and Part time Photo Educator, with over 30 years of teaching experience. He contemplates many things photographic. His ruminations include his own work as well other’s and the aspects of technology that impact on the sharing and consumption of Photographs.
☛ Website | Flickr | Instagram | Photography links | s2z digital garden | Tumblr

Moving Towards A Post Adobe World

In my never ending pursuit to escape the clutches of Adobe’s leasing model, I’m always on the lookout for alternative software to manage organise and process my digital files. This last few months I have been working exclusively without any Adobe products. Lightroom was my go to tool until I resurrected Aperture by Apple on an old Desktop. Now I’m using 2 apps to do all the heavy lifting.

Neofinder's interface, is like Adobe's Bridge, but creates a catalogue file or files,
Neofinder’s interface, is like Adobe’s Bridge, but creates a catalogue file or files,

NeoFinder is the first. It is now my digital asset tool of choice. Finding and using this software has potentially saved me from buying a new desktop computer. The software is stable, fast and flexible. If it had an ability to “ingest files” and process them as raw then I’m set.  As Neofinder does not, my workflow consists of using Apple’s Image Capture.app to ingest files, Neofinder to rate, sort and organise, and Affinity Photo to process the raw files.

Affinty Photo, is a powerfult digital editing tool with a similar feature set to Adobe's Photoshop with out the ongoing lease cost
Affinty Photo’s raw processor interface. It is a powerful digital editing tool with a similar feature set to Adobe’s Photoshop with out the ongoing lease costs.

About the author.
Stuart Murdoch is an Artist and Part time Photo Educator, with over 30 years of teaching experience. He contemplates many things photographic. His ruminations include his own work as well other’s and the aspects of technology that impact on the sharing and consumption of Photographs. And of course the act of making and taking photogrpahs in the 21st century.

☛ Website | Flickr | Instagram | Photography links | s2z digital garden | Tumblr