Eight years after I began making the same picture on each day I was at work. Always at 8:30. Always from the same position. The project has now ended.
The changes in the scene that were most notable, were the weather. Others included the tree.
Often the picture made at 8:30 in no way reflected the weather for that day either before or after 8:30. Which isn’t reflected in the imagery itself.
The linchpin, that helped me decide to end it was the removal the tree. The tree had suffered some damage in the storms we had 10 days or so prior, and in the interim someone decided it needed to be removed entirely.
In 1966, Ed Ruscha photographed ‘Every building on the Sunset Strip‘ in Los Angeles. It became a book and the original is highly sought after. I have seen the copy the NGV has in its collection. Such a simple and elegant idea. The book is one long accordion type book. It is small but intriguing. I have attempted my own version of the idea twice now. Once in Yarraville with a small stretch of houses that have since been demolished, for the Regional Rail Link. The ‘album’ is on flickr it is entitled Buckley Street Seddon. It took approximately 40 minutes to make those pictures.
I did the same recently, only this time I walked along Wright Street, Sunshine, from Stanford Street to Hampshire Road.
I started at the Stanford street and walked West, the numbers on that side of the street are even numbers. I excluded the corner houses. The photography component took all of 20 minutes.
There was one empty block primed and ready for redevelopment. And two other blocks with for sale signs on them. Big changes are indeed afoot. What form shape or size they will take remains to be seen I guess?
Highly designed urban living in the Docklands. A source of fascination for me in the early 2000s.
In 2009, it seems I was working in and around the Docklands precinct of Melbourne. Using colour film and my Hasselbald. This work is likely to sit in my archive its use undetermined. I had begun working there as early as 1993 or so. In those days the site was still a lingering industrial wasteland. See image below shot on 5×4 and black and white film.
An area of the docklands undergoing reclamation. This time shot on 5 x 4 black and white film.
Eight years after I began making the same picture on each day I was at work. Always at 8:30. Always from the same position. The project has now ended.
