The most recent version of photoshop was released on the 20th of October, for both the iPad and the Desktop. Adobe’s promotional material on their blog is promotoing the Artificial Intelligence side of the new update. Adobe, rightly or wronglyis seen as the leader in the field of Digital Photography. I want to vent about them here in my own little photography diary. Adobe justifies their use of AI to ‘save time’, and boost creativity, from the blog.
With the addition of these five major new breakthroughs, you can free yourself from the mundane, non-creative tasks and focus on what matters most – your creativity.
I would argue that for me the most creativity comes when I’m walking alone in one of my favourite locations. Contemplating either a finished print or a ‘networked image’, camera in hand. Any post production is just about fitting the values of the scene. Onto my chosen medium. In a manner I see fit based on my own aesthetic. This aesthetic is of course rooted in the long tradition of straight photography. Not to mention an appreciation of materials and processes I have strived to master. Having good teachers helped me start my own journey on this path in the early 1990s.
This time poor approach to craft has been a growing trend, and one that I feel runs counter to good photography. Good in the sense that the picture is worth making and says something about meaningful, if this is the authors intention.
Change the perspective of your landscapes. Focus on the story you want to tell. Get rid of unnecessary details and create an impactful photo in one smart click
Recently I returned to Aperture to experiment and explore further, Apple’s professional digital asset management and editing tool. The differences between Luminar 4, and it are huge. To the point where I have to round trip my work to see what I can achieve. I’m still unclear as to how to proceed. I like the AI features in Luminar, but feel at the mercy of the software. The AI tools in Luminar 4 are good, but what do they really mean? I can find no comparable tools in Aperture. So I have to wonder am I doing these files the justice they deserve in Aperture?
When artificial intelligence is able to create art works and portraits where does the human operator sit? I make images because it satisfies an urge. Indescribable; yet one that lies beneath the surface. That needs scratching at least several times a year. None of which involves much input. other than my own desires and understandings of the materials and processes I’m working with. Skills learned from many hours of making mistakes and asking the right questions.
On Friday I took delivery of my new iPhone 12. I have yet to put it through its paces. Having 3 lenses is a bit of game changer though. Not being able to move around very far, combined with the weather this weekend means limited picture making opportunities.
Here are two examples made so far. The new wide angle lens is indeed wide. So much so I need to watch where my fingers are in the frame.
In 1966, Ed Ruscha photographed ‘Every building on the Sunset Strip‘ in Los Angeles. It became a book and the original is highly sought after. I have seen the copy the NGV has in its collection. Such a simple and elegant idea. The book is one long accordion type book. It is small but intriguing. I have attempted my own version of the idea twice now. Once in Yarraville with a small stretch of houses that have since been demolished, for the Regional Rail Link. The ‘album’ is on flickr it is entitled Buckley Street Seddon. It took approximately 40 minutes to make those pictures.
I did the same recently, only this time I walked along Wright Street, Sunshine, from Stanford Street to Hampshire Road.
I started at the Stanford street and walked West, the numbers on that side of the street are even numbers. I excluded the corner houses. The photography component took all of 20 minutes.
There was one empty block primed and ready for redevelopment. And two other blocks with for sale signs on them. Big changes are indeed afoot. What form shape or size they will take remains to be seen I guess?
When I first started using digital cameras I was fortunate to have been given a then high end amateur type camera. Even at $2000.00 or so dollars it was far too “automatic” for my liking. As a consequence I enjoyed trying to subvert these controls and make pictures that hinted at a photograph but could have been anything at all.
This is one example of my success in achieving this. I made this picture at home on the 15th of August 2000. Twenty years ago today.
In what now feels like an eternity, but was only 11 years ago; I created a website called altfotonet.org. It was going to be a publication of photography from creatives/artists/ideologues/ratbags/visionaries. I published 3 issues along with Gary Sauer-Thompson. Somewhere along the line it all became too much for me and the idea lay idle, the web site remaining static. In the intervening 11 years the ground has shifted drastically. So much so that even after recently having revived the website I am unsure if I should continue publishing? I originally published 3 issues.
The site was meant to showcase work that fell outside the mainstream art world and was not commercial photography either. I’m not sure what possesed me to undertake such an endeavour? As Facebook was launched in 2004, and it must have taken a few years for it to reach critical mass here in Australia. Facebook has famously sucked the life out of many other online communities; flickr in particular. So I ploughed on regardless. The truth is I was very fortunate to have been donated some server space and the ideas driving the idea were all very egalitarian at the time. I was hoping to make something that was useful and new.
Now I have a new appreciation of what it takes to publish a magazine. I have also learned lots about photobook publishing. The world both in real life and online, is completely different now compared to 2009.
With all this in mind I have archived the old site and started a new one. Using a WordPress installation I will write at length about the ideas and concepts that drive my picture making and some of my underlying concerns. With occasional guest writers artist and photographers.
I spent a pleasant Sunday afternoon walking from Arden street to Dynon road and back following Moonee Ponds Creek. I shot about 1 and a half rolls of 120 film and about 50 or so digital pictures. The light was very good as it often is this time of year. The light was the main impetus for me going out to begin with. Having driven past a few times I had noticed some changes. In particular the 2 new bridges built for pedestrians and cyclists. I wanted to capture the state of things as they are. They will I’m sure revert to some form of their original state once the projects are completed.