Poking around online I found some interesting links.
The Photogrpaher’s Gallery in London has a faublous resource, called Viewpoints. Viewpoints offer a curated and eclectic set of perspectives inspired by the gallery’s programme and are designed to provoke new thinking around photography’s role in contemporary culture.
Some viewpoints are:-
Photography and Landscape a series of essays that examines photography’s role in defining and creating the Landscape genre. Unthinking Photography. Unthinking Photography is an online resource that explores photography’s increasingly automated, networked life. Unthinking Photography is a strand of The Photographers’ Gallery digital programme, an online platform for mapping and responding to photography’s role in contemporary culture.
Back in a few days once I’ve read them all.
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What seems to be real in the photograph is always a simulation of something else. We have shown how this way of thinking provided a theoretical basis for simulation methods in contemporary art and photography. The exploration of staging, quotation, repetition, copying and plagiarism typifies the postmodern trends of the 1980s. These anti-realist strategies found a rationale in the conceptual art movement’s critique of documentary methods and the emergence of sceptical attitudes to the truth claims of photography.
pg 169. RETHINKING PHOTOGRAPHY: Histories, Theories and Education, by Peter Smith and Carolyn Lefley published 2016 by Routledge, 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN, ISBN: 978-1-315-72241-2 (ebk)
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