Concurrently I had been mulling over how I made an earlier book using Blurb. ‘What’s the ugliest part of your body?’. When making it. I had decided to compromise on its layout and not crop the images resulting in a book that few people handled correctly as it was landscape orientation. As a consequence it had lots of wasted white space. I feel this didn’t add anything to the idea. This time I decided that I would print full bleed, and use pictures that were portrait in orientation. I also wanted to add some text to engage the reader. So after perusing my library and searching the internet I found of series of snippets of text and quotes that posed pointed questions about landscape, landscape art, and landscape photography. With these two ideas in mind I collated as many images as I could that were portrait in format, ie Not Landscape, the book’s title, printed out a set of them. Then started editing them into a book.
I have some copies of my ‘What’s the ugliest part of your body?’ left. These are $15.00 each, and after making them now consider it unlikely I will make a second edition.
I have one copy of my book Contact for sale as well.
There were 8 speakers. The event lasted an hour. There were approximately 30 attendees. The attendees were split into small groups of about 10. The speakers worked in small groups also. My group had myself, Suzanne Phoenix, and Dr. Kristian Haggblom. Each presenter was asked to bring one or two books and discuss them. In the end we all had a least 4 books each.
Next weekend I am participating in an event at the CCP around the Photo 2021 festival.
Titled, Reading Photobooks with Photobook Club Melbourne, . Several photobook makers, academics and artists will, ask, ‘What does it mean to ‘read’ a photobook?’. Join this meetup with Photobook Club Melbourne, and discover the new perspectives and depths of meaning that can come from exploring a photobook in a group discussion.
I’m considering a second edition of my book, Body Bags and other Misdemeanours for the Melbourne Art Book Fair next month.
One final thought, much has been made about Facebook’s response to the federal Government’s attempts at legislation. All anyone needs to do is subscribe to newsletters or newsfeeds of all the major media outlets and your knowledge of current events will be fresh. It’s how we did it before Facebook. It is how I am doing it right now.
I have tweaked my blog.
There is now a follow button at the top of the sidebar navigation on the right. If you want to be kept up to date on the goings on around here, just use that button.
Facebook & The News?
I’m also wondering if I put a link to an Australian news article here then share back to Facebook what will happen. [edit, it does not work, in fact I cant even post a simple link to my blog!]
Is it possible to describe a photograph without interpreting it? Can a viewer ever be as dispassionate as the mechanism of a camera? And how far can a photographer’s intentions determine responses to their image, decades after it was made? These are just a few questions that David Campany eloquently addresses in On Photographs. In the tradition of Susan Sontag and John Berger, Campany explores the tensions inherent to the photographic medium – between art and document, chance and intention, permanence and malleability of meaning – as well as the significance of authorship, performance, time and reproduction.