Steve Yedlin, on Colour Science for Filmmakers

The wild wild internet still exits…

The elusive thing that we call the photographic look is an abstract phenomenon. It’s the aggregate perceptual experience that emerges from the sum of many smaller attributes that clue the eye.

 

“The longing for simplicity in the face of overwhelming complexity is as understandable as it is misguided” warns Mark C. Taylor. As artists, to put all of our faith in the illusory simplicity of bundled systems instead of understanding the analytic components that are the undeniable building blocks of the process is to give up our control and authorship. How has it come to be that we’ve taught ourselves that that nuanced and masterful creative authorship is as simple as choosing Coke versus Pepsi? Expertise requires more than simply memorizing (and then repeating) which of three or four prepackaged options is the best one.

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Quotes in the time of the pandemic

The sunrises over my backyard
The sunrises over my backyard 2020-04-21 07:34:00

“when I was younger, I wanted to make images that made people go wow. As I developed as a photographer, I realised I wanted to make images that make people go hmm.”
Teju Cole

True words those! Indeed!

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Les Walkling on Peter Dombrovskis [Video]

Macquarie Island, Tasmania , Peter Dombrovski
Peter Dombrovskis [Germany 1945 – Australia 1996], Macquarie Island, Tasmania © Liz Dombrovskis
Les Walkling , a former teacher, discusses printing the works of Peter Dombrovskis Journeys into the Wild, exhibited 9 March to 12 May 2019 at Monash Gallery of Art.

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Reading in the time of the Pandemic [Quote for yesterday]


What seems to be real in the photograph is always a simulation of something else. We have shown how this way of thinking provided a theoretical basis for simulation methods in contemporary art and photography. The exploration of staging, quotation, repetition, copying and plagiarism typifies the postmodern trends of the 1980s. These anti-realist strategies found a rationale in the conceptual art movement’s critique of documentary methods and the emergence of sceptical attitudes to the truth claims of photography.

pg 169. RETHINKING PHOTOGRAPHY: Histories, Theories and Education, by Peter Smith and Carolyn Lefley published 2016 by Routledge, 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN, ISBN: 978-1-315-72241-2 (ebk)

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