In 2009, it seems I was working in and around the Docklands precinct of Melbourne. Using colour film and my Hasselbald. This work is likely to sit in my archive its use undetermined. I had begun working there as early as 1993 or so. In those days the site was still a lingering industrial wasteland. See image below shot on 5×4 and black and white film.
“Street artists, advertising agencies and the authorities are in the middle of a space race.
It’s a lot less about little green men and much more about spray paint and stencils. But the stakes are still sky high. Artists are busy commandeering as many city surfaces as their paints will allow, authorities are trying to neutralise the threat, while advertising agencies are keen to clone the potency of hand painted art.”
I have a small series of work that looks at much more ephemeral art of peeling advertising posters. Which is a kind of street art.
What impact does a visual trope like a sunset have in this day and age of the networked image. Especially if it was made before flickr, facebook and probably google? This sunset was made circa 2002. It was made from the edge of the site where I worked from 1994 to 2013.
I’m thinking of posting sunsets fairly frequently as a kind of response to the current pandemic sweeping the world.