Poking around online I found some interesting links.
The Photogrpaher’s Gallery in London has a faublous resource, called Viewpoints. Viewpoints offer a curated and eclectic set of perspectives inspired by the gallery’s programme and are designed to provoke new thinking around photography’s role in contemporary culture.
Some viewpoints are:- Photography and Landscape a series of essays that examines photography’s role in defining and creating the Landscape genre. Unthinking Photography. Unthinking Photography is an online resource that explores photography’s increasingly automated, networked life. Unthinking Photography is a strand of The Photographers’ Gallery digital programme, an online platform for mapping and responding to photography’s role in contemporary culture.
I found this website that explores through a timeline and in a decade by decade series, how we got to where we are in terms of the current world wide web. It uses fairly non-technical language and builds on and adds to some of the Web’s best known stories.
This site explores an exhibition on the history of the printing of pictures held at The Museum of Modern Art, New York, in 2008-09. This exhibition and the book that it accompanied traced the dominant technologies used for printing pictures throughout the modern era. Richard Benson, who wrote the book and co-curated the exhibition, was videotaped for approximately eight hours in the Museum galleries. This site gives access to that entire talk with additional images and details, allowing visitors to the site to draw their own path through its contents.
In the middle of 2017, possibly after discussions with Gary Sauer-Thompson, I decided to deliberately photograph Sunshine. With an emphasis on the rapid change that is occurring. This has turned into slow burning project. Its final conclusion and outcome is uncertain.
I have lived in this suburb since the early 2000s. Digital photography at the time was still in its infancy 20 megapixel sensor DSLRs were still prohibitively expensive. I was predominately using film. My first digital camera was a Kodak DC 260. A capable camera by the standards of the time. Disks and storage in the early 2000s were also prohibitively expensive making archiving difficult. This was the era where the floppy disk at 1.5 mb was the standard. Still with that first camera I managed over 12000 pictures in its 4 year life. Many of these pictures were of anything and everything that caught my eye. I was at this stage a relative newcomer to Sunshine, so there was lots to explore and look at. Living near a major infrastructure site helped too. We have a grain silo on one edge of the park at the end of our street. We have both a busy Metro train service and a 3 regional rail services using the station near us. The land in and around these kind of service spaces have always fascinated me. Even before moving to Sunshine I would trek out to the Western suburbs of Melbourne looking for unique sites of neglected post industrial glory.
This project, currently housed on tumblr ticks away quietly now. There are some major infrastructure projects underway, with a major residential hotel planned nearby as well. So change is constant. I have discovered a new commemorative plaque nearby too. I think I need to capture all these as well now. They are useful for their textual information alone. I am building a page dedicated to the history of Sunshine on my static website too.
Originally posted on another platform I’m re-posting here for prosperity with a minor edit.
Winter light prompted me to get my 5×4 inch monorail camera out.
I have been interested in making pictures in the Urban Landscape since 1988. I began my photography studies in 1987. After 2 years I realised I was mostly interested in photographing the landscape and in the context of art. I spent the next 3 years undertaking a fine art degree. This allowed me to think about the what the why and how of art making. Could I try and make art this way?
In the beginning my work was influenced by Ansel Adams, and the idea of a sublime landscape. Images made in his style, and of similar subject matter were the kind I aspired to. As an urban dweller most of my life, trips to the ‘wild/sublime’ were infrequent and determined by my free time. What this meant was, it was difficult to really capture imagery that was truly ‘sublime’.
Light in Australia is at its best in the shoulder periods leading up to autumn and spring. Winter light when it shines is also wonderful. Of course light is often best in the magic hour any time of the year. Magic hour in the suburbs is easy to chase, in the outback, not so. Most ‘wild or sublime’ locations in Melbourne are at a minimum one hours drive away. So getting to this kind of location is time consuming and can be difficult, even with a car. The urban landscape is all around me. I can catch public transport there if I need and even on occasion walk.
I am involved in several groups on flickr that share pictures in a similar vein. The idea still flourishes to this day and is almost a worldwide movement.
When I’m out to making pictures, mentally I go to a ‘place’. A place that is hard to describe but very beneficial. It engages my brain in a way where I am in the moment like no other activity I engage in. Time disappears. Just a series of small decisions. Left? Right? Up? Down? Looking without thinking and at the same time only looking and thinking? This is my main motivation that almost zenlike state I enter when alone in the urban landscape with my cameras.
On the 5th of July 2019. The light was magnificent, as it often is in Melbourne mid winter. I went outside and made some pictures with both colour and black and white film, in 120mm and large format. Because the light struck me as well as the mood. And because it felt right.